Monday, August 18, 2014

What I think about: The Carpenter by The Avett Brothers

The Carpenter is my first experience of the Avett Brothers. It is far from their first album. At the time of this writing, it isn’t even their most recent, but my experience of this album comes as a complete surprise to me. I first heard of them at Best Buy as they played on the video loop. I tried the album out and found that I didn’t really care for more than a couple songs. For some reason, a year later, I returned to it and found that I liked almost every single song.

What stands out to me most in the collection is that that lyrics complement the melodies absolutely perfectly. The instruments create very exact feelings and the lyrics accompany them like its some kind of science, So much so that you could probably guess what the song is about before hearing a single word. In the best songs the lyrics are timeless. In most, they don’t stand above simply being clever. Still, each song is a distinct experience. For that, these guys deserve some kudos.

It seems clear though that these guys can only go so far in the composition of their lyrics. Impressively, they seem to know that. At key points in some songs, they will stop singing and simply let the instruments do the talking. Each time in happens through the album, the timing seems perfect. It’s clear that the songs written here came from the heart, but when they couldn’t find the right words for a topic, they just play the song and expect the listener to just get it from the melody. Luckily, they nail it.

The Once and Future Carpenter is the first song and so happens to be my favorite. It tells the long story of a wanderer, not really coming to any conclusions except “If I live the life I’m given, I won’t be scared to die.” The carpenter (the subject of the song) seems content with wandering, and has his mind made up about every possible scenario that could come. The melody carries the sense of conclusion, ongoing journey, and resignation. Its odd; as well as this song fits at the beginning of the album, it could just as easily fit at the end of it.

“And now I spend my days in search

of a woman we call ‘purpose’

and if I ever pass back through her town, I’ll stay.”

February Seven If a mysterious entry that seems to be about recovering from a variety of events. The chorus communicates a lesson learned, but its hard to tell what the conclusion of the song really is, leaving an absolutely beautifully written lyric wide open for interpretation, which is one of the things that make the song easy to return to.

“I found as I regained my feet

a wound across my memory

that no amount of stitches would repair

but I awoke, and you were standing there.”

A Father’s First Spring really hits home for me. The title says it all; a new father singing about his experience of becoming a parent. Being a new father myself, this song is coming to me at a perfect time. I can’t help but think of my little girl when it plays. The lyrics aren’t genius, but again the simple melody complements the subject so perfectly. It rouses emotions in me as much as it seems to the singer.

“The realist thing I ever felt
was the blood on the floor
and the love in your yell
I was a child before
the day that I met Elanor.”

The topics of the album bounce around wildly, seemingly covering way more than they should in a single effort. That’s a knock at them. But then on the other hand, it lends itself to astounding variety from song to song. The album will end before you feel like you’re done exploring it, and then you’ll start it over, realize you’re hooked and now you look like a sucker.

I liked 11 of the 12 songs, giving this album a 92%

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